17 364 безплатни аудиофайлове за "Bwv 881 – Prelude And Fugue No. 12 In F Minor From The Well Tempered Clavier Ii"

Pictures at an Exhibition - i. gnomus - vivo

Invention 8 (BWV 779)

Invention 8 (BWV 779)

In 1926 Lansbury's Labour Weekly release a series of gramaphone records of left-wing songs and speeches. This is a recording of one of those records.

Edison Amberol cylinder n° 479 recorded by Stella Mayhew.

Ort: Semisjaure-Njarg [Bengtsson] (sameby) / Arjeplog (socken)

The traditional country song Cripple Creek, performed by Gid Tanner and his Skillet Lickers

The traditional country song The Prettiest Little Girl In The Country (some also say Prettiest Little Girl In The Country[!]), performed by Gid Tanner and his Skillet Lickers

The tradtitional country song John Henry, The Steel Drivin' Man, performed by Gid Tanner and his Skillet Lickers

Ort: Semisjaure-Njarg (sameby) / Arjeplog (socken)

The song Old McDonald Had A Farm, performed by Gid Tanner and his Skillet Lickers

The traditional tune I Shall Not Be Moved, performed by Gid Tanner

Edison Gold Moulded Record #9295. Performed by Bob Roberts.

The traditional tune Shortenin' Bread, performed by Gid Tanner and his Skillet Lickers

Ort: Talma (sameby) / Jukkasjärvi (socken)

The Holly and the Ivy

God rest you merry, gentlemen (or "God rest ye merry, gentlemen") is an ancient Christmas carol, believed to date from about the 15th century. Edison Blue Amberol #3346, Edison Diamond Disc matrix #5677

The Japanese song "Umi Yukaba" performed in 1941.

Introduction and Rondo capriccioso (A minor), op. 28. Camille Saint-Saens - Introduction and Rondo capriccioso (A minor), op. 28 (performed by Skidmore College Orchestra) Македонски: Камиј Сен-Санс — „Вовед и Рондо и капричозо“ (а-мол), оп. 28 (Оркестар на Скидморскиот колеџ) Introdukcja i rondo capriccioso a-moll na skrzypce i orkiestrę, Op. 28 autorstwa Camille Saint-Saëns w wykonaniu Skidmore College Orchestra.

Sergei Rachmaninoff - etudes tableaux, op. 39 - v. apassianato in e flat minor

Concerto for Violoncello and Orchestra in B minor, op. 104 - 1. Allegro (Pierre Fournier, George Szell, Berliner Philharmoniker, Germany)

Recorded and performed instrumentally by the U.S. Navy Band and featured on the 2006 album World Class Marches.

(Wolfgang Kindl) EG 179 Allein Gott in der Höh sei Ehr

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.

Tamo Daleko, April 1917. Columbia Phonograph Company. Audio restoration by Steven Kozobarich.

Sound file of the natural A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

*Pythagorean minor semitone/Pythagorean limma on C = D♭-- (Ben Johnston's notation). 256/243 = 90.22 cents. Limit: 3-limit. MIDI pitch bend: 112,60

Second septimal minor third on C = D♯-. Just intonation: 25/21 = 301.85 cents.

Wiener Blut, a waltz by Johann Strauss II

Tritsch-Tratsch-Polka: Transkription für Klavier Italiano: Johann Strauss Jr: «Tritsch-Tratsch-Polka». Trascrizione per pianoforte dell'utente Pracchia-78. Eseguito al sintetizzatore con un banco audio piano Steinway (28,4 MB), articolazione: Steinway Grand.

Measure 4 from Ludwig van Beethoven's Piano Sonata No. 8 (Pathetique), Op. 13. This example demonstrates nonuplet 128th notes (semihemidemisemiquavers), 64th notes (hemidemisemiquavers), and one 32nd note (demisemiquaver).

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

*Bohlen-Pierce three steps on C = E. 33/13 = 438.91 cents. MIDI pitch bend: 57,76

*Bohlen-Pierce eleven steps on C = A♯/B♭. 311/13 = 409.35 cents. MIDI pitch bend: 126,66

*Bohlen-Pierce twelve steps on C = B. 312/13 = 1755.65 cents. MIDI pitch bend: 103,49 1755.65-1200= 555.65 cents.

*Bohlen-Pierce seven steps on C = H. 37/13 = 1024.13 cents. MIDI pitch bend: 92,71

*Bohlen-Pierce ten steps on C = A. 310/13 = 1463.04 cents. MIDI pitch bend: 22,52 1463.04-1200=263.04 cents

*Bohlen-Pierce eight steps on C = H♯/J♭. 38/13 = 1170.43 cents. MIDI pitch bend: 68,54

*Bohlen-Pierce six steps on C = G. 36/13 = 877.83 cents. MIDI pitch bend: 115,56

*Bohlen-Pierce nine steps on C = J. 39/13 = 1316.74 cents. MIDI pitch bend: 45,69 1316.74-1200=116.74 cents.